Excerpts from Critics

"... For the second year in a row, for example, I found myself sucked into the gravitational field of the busy, information-packed yet oddly unified work of painter Sarah Krepp, whose latest pieces, in the Roy Boyd Gallery booth at Art Chicago, featured three-dimensional protrusions from their surfaces. At once cerebral and sensual, her work envelops you in an intoxicating world of portent and color -- often a rich, vaguely sinister mix of red and black -- and makes you wonder why she isn't world-famous. She should be."

Kevin Nance, Sun-Times

" SARAH KREPP creates work that presents a tremendous amount of data that comes from such sources as scientific charts, maps, music, and even dance diagrams. Sorting everything out makes significant demands on a viewer. The optical pleasure is, however, equally significant. And while this kind of content, with its metaphorical warning of engulfment, is satisfactorily conveyed, it seems more peripheral than essential."

Alan Artner, Chicago Tribune